"I am a nomad, □□□□□□□not a farmer. I □□□□□□□ am an adorer o □□□□□□□f the unfaithfu □□□□□□□l, the changing □□□□□□□, the fantastic □□□□□□□.""The one thin □□□□□□□g you dread it, □□□□□□□ letting yourse □□□□□□□lf fall, taking □□□□□□□ the step into □□□□□□□uncertainty, th □□□□□□□e little step b □□□□□□□eyond all the s □□□□□□□ecurities that □□□□□□□existed. And wh □□□□□□□oever had once □□□□□□□surrendered him □□□□□□□self, one singl □□□□□□□e time. Who eve □□□□□□□r had entrusted □□□□□□□ himself to fat □□□□□□□e was liberated □□□□□□□. It was blissf □□□□□□□ul to live, it □□□□□□□was blissful to □□□□□□□ die. No magic □□□□□□□ever interrupte □□□□□□□d the eternal c □□□□□□□hain of birth, □□□□□□□the endless suc □□□□□□□cession of God' □□□□□□□s breath. But t □□□□□□□here was anothe □□□□□□□r kind of peace □□□□□□□ to be found wi □□□□□□□thin your own s □□□□□□□elf. Its name w □□□□□□□as, let yoursel □□□□□□□f fall. Do not □□□□□□□fight back, die □□□□□□□ gladly live gl □□□□□□□adly." □□□□□□□
真没想到这部剧竟然是走 □□□□的B级片、cult片的好姑娘免费高 □□□□野路子。它并不完全无底 □□□□线、无节操,而是在正常 □□□□剧情与不落俗套的丧尸梗 □□□□段子之间不断切换,形成 □□□□了一种颇为清视频奇妙的观感。 □□□□而Murphy作为一电视版个 □□□□帅气、高大的白人男子, □□□□却是前盗窃犯、诈骗犯、 □□□□剧里的吐槽和immor □□□□al担当——反着刻板印 □□□□象来,我太爱了。更难得 □□□□的是,作为一个半喜剧, □□□□这里的每一位主角都有自 □□□□己的成长线…After □□□□ all, there □□□□ is no utop □□□□ia, no heav □□□□en above. T □□□□he best thi □□□□ng you can □□□□do is to gr □□□□ow up in th □□□□is goddamn □□□□post-apocal □□□□ypse world… □□□□五星奉上。 □□□□